Leigh Melrose  -  Baritone

News & Future Projects

Jumping in as Wozzeck at the

Royal Festival Hall & Zurich Opera


"Advertised to London as a star vehicle for the baritone Christian Gerhaher, Wozzeck was instead a triumph of ensemble and nerve. Stepping in for Gerhaher at 24 hours’ notice, Leigh Melrose gave a sensational performance of the title role: tense, taut, harried and bullied by the random rattling interrogations of his superiors. If you’re going to be an outsider, this is the role to be an outsider in."


The Times, 5th October 2015



"In short, Melrose triumphed in a magnificently all-embracing portrayal in one of the most dramatic concert performances of an opera that I’ve experienced..."





"The loss of Gerhaher turned out to be no loss at all. Indeed, although I was certainly curious to hear what a voice of such beauty would have made of the role, I cannot believe that the dramatic achievement of Leigh Melrose’s portrayal could possibly have been superseded. Melrose’s Wozzeck in English remains unforgettable, like much else from ENO’s brilliant Carrie Cracknell production. Here, he showed that, in the original language, his match of verbal and musical acuity with first-class acting – yes, although this was a ‘concert’ performance, much of what we saw as well as heard was in character – could, if anything, penetrate still deeper. Much nonsense has been spoken, probably more often written, about Fischer-Dieskau’s allegedly too ‘intellectual’ assumption of the role. One needs a mind to be able to understand and to communicate the darkest, most profound reaches of Berg’s – and of Wozzeck’s. This Wozzeck was as thoughtful and as sensitive as he was downtrodden and, ultimately, angered."




Athanasius Kircher in Louis Andriessen's staggering new work Theatre of the World at Dutch National Opera and the Los Angeles Philharmonic, directed by Pierre Audi.


The Jesuit scholar Athanasius Kircher travels through time and space, accompanied by a twelve-year-old boy. Is the boy his pupil, himself at a young age or the devil?


He crosses the river of death, sees the tower of Babel and ends up in China. The journey is supposed to help him remember everything he has ever experienced. If Kircher can remain who he is, will that be in heaven or in hell?

Stolzius in an ambitious new production of Zimmerman's Die Soldaten at Teatro Colon,

Buenos Aires.


Conducted by Baldur Brönnimann

Copyright @ 2011-2015 Melrose Tynan Ltd