György Kurtág, whose compositions left an indelible mark on the development of twentieth-century music, had never written an opera. At least, not until he had turned ninety. Applying his bare, concentrated, intensely expressive style to Samuel Beckett’s 1957 austere play, the world premiere was conducted in November 2018 by Markus Stenz and directed by Pierre Audi. Further performances were at Dutch National Opera in February.