“Musically, it’s astonishing. Melrose, giving the performance of a lifetime, charts Wozzeck’s disintegration with unflinching veracity and an extraordinary expressive range that veers from lyrical intensity to snarl or eerie falsetto” The Guardian, May 2013 “It’s hard watching Leigh Melrose as Wozzeck, a broken man shuffling from one abuse to another, fixated only on providing […]